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The Daily Adventures of Mixerman, by Mixerman
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The Ptich:
What happens when you take the unauthorized diary of the recording session that shook the music industry, and have it performed by the industry itself? You get one of the most entertaining audiobooks on the market.With 1930s radio and Firesign Theatre in mind, Producer Aardvark and Mixerman set forth to create a full unabridged dramatization of this popular story. Complete with music, musical character motifs (ala Peter and the Wolf), foley, sound effects, and performances by some of the most well known and admired producers and mixers in the business, including: Ken Scott (The Beatles), Dave Pensado (Christina Aguillerra), Ed Cherney (Better Midler), Ron Saint Germain (U2), Jeff Lorber (Dave Koz), Joe McGrath (AFI), Dylan Dresdow (Black-Eyed Peas), William Wittman (Cyndi Lauper), Kenny Gioia (Daryl Hall & John Oates) Julian Bunetta (Hillary Duff), JP Plunier (Ben Harper), and Bob Ohllsson (Jackson 5); the two record-makers deliver an astoundingly entertaining product that is sure to provide listeners with hours of pure unadulterated enjoyment.In other words, this is not your father's audiobook. It's your great grandfathers! With a modern spin, of course.
Summary:
The inner workings of recording sessions have long been the closely guarded secrets held only by those involved. And while some have tried to piece together the stories of sessions past, rarely do these accounts rise above the level of hearsay and folklore, distorted by the passage of time.
Enter Mixerman, a Los Angeles recording engineer who, on nothing more than a hunch, begins to chronicle the daily events of a Major Label recording session with a bidding-war band, and infamous producer, and a limitless budget. And he does it in real time - each night posting his entires on the Internet, withholding only the true identities of those he writes about.
It's apparent early on that the anonymous Mixerman is for real - distilling complicated recording procedures into simple an understandable terms. But as narrator, tour guide, and humorous off-color commentator, he also delivers a gripping and often hysterical no-holds-barred tale of a recording session gone awry.
And while the band, their manager, the label executives, the producer, and the studio staff are initially unaware that their potentially embarrassing antics are being watched by an ever-growing audience of Internet voyeurs, it is surely only a matter of time before Mixerman's diary is discovered.
God help him if that happens.
Please note: Both the print and audio editions of The Daily Adventures of Mixerman follow an unconventional, somewhat nonlinear structure. This is intentional.
- Sales Rank: #52238 in Audible
- Published on: 2012-12-10
- Released on: 2012-12-09
- Format: Unabridged
- Original language: English
- Running time: 707 minutes
Most helpful customer reviews
11 of 13 people found the following review helpful.
Hilarious and entertaining
By Andreas Gisler
Anybody who has ever spent time in a recording studio should read this. And those that haven't spent time in a recording studio should read it just to get a taste of what they DON'T miss.
As a musician and engineer/producer, some of the accounts in the book had me ROFL while other stories just ring VERY true.
And behind all the sarcasm and outrageousness of the (true) tale of a band without any clue and little proficency but too much time and (loaned) money on their hands, there actually is much to be learned about record-making and producing.
Highly remommended!
9 of 11 people found the following review helpful.
a very funny look at the reality of recording commercial rock
By P. Kavicky
it can be said that what spinal tap was to rock movies, this book is to rock bands recording in the studio. it's a hilarious look at the process of recording a commercial rock band. it tends to beg the question, how much is real and how much is fiction. and like spinal tap, the answer is that even the most far fetched moments in this recording engineers diary have happened in a recording studio at some time. this book is the diary account of the recording engineer dealing with the band, the producer, the studio, the label, and all that goes along with it. this book is an absolute must for anyone who is interested in music and recording. every studio big and small should have a copy near the mixing board.
mixerman, whoever he is, has done an excellent job of capturing the chaos of the process and putting it into book form. it's personal and fun, unpretentious, and does make you feel as if you are in the room with the band.
this book is much discussed amongst recording engineers because this subject matter hits close to home, and according to the book it is based on the recording process with one particular band, a known band who we've all heard on the radio. this is a taste of what it's like to record a band for a recording label, and it's a very entertaining read.
highly recommended and practically necessary if you are involved in music making or recording or anywhere else in that industry. have a good read and prepare for some hearty laughs.
3 of 3 people found the following review helpful.
Hilarious and enlightening! Horrible copy.
By Drummer
I read the Mixerman chronicles about 6 or 7 years ago online and found them insanely entertaining! I never got to finish the story, because to get to the end, you had to buy the book, which I never did....until I recently saw it for the Kindle.
This is a gut-bustingly funny story, told from a professional (and very colorful) audio engineer's perspective. Anyone with a mild interest in the music industry should find it extremely entertaining!
My only gripe, and it's a big one (to me), has to do with the absolutely horrendous quality of the copy. I don't know how the text was entered or scanned to make this version, but there are so many errors it's quite distracting. Small c's become e's, letters are literally chopped in half, words are hyphenated in the middle of a line. Those are just a few examples. For that it loses one star. I know I'm a bit of an obsessive-compulsive Grammar Nazi, but it really does detract from my enjoyment of the book. I don't like to be translating while I read, which is what I basically have to do multiple times on every page.
Perhaps if I rolled a fatty, it wouldn't bug me so much.
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